Demob Happy

High and mighty

6.5/10
FIRST PUBLISHED AT THE LINE OF BEST FIT
Chicago post-rockers Pit er Pat’s latest for Thrill Jockey was largely recorded live in the studio, with raw production embellished by an arsenal of exotic instruments including a bobo balaphone (!), Burmese temple gong and a vibraslap - to cite a few favourites from the press [...]

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Dawn choruses
8.5/10
The first thing you notice when listening to ‘At Dawn‘ if, like me, you’ve approached their back catalogue, er, backwards, is how faithful it is to a kind of alt-country orthodoxy when compared to the more magpie-like tendencies of ‘It Still Moves‘ and ‘Z‘. Arguably it is more a consistency of mood [...]

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Kentucky fried pysch-country
8.5/10
Over four albums My Morning Jacket have fashioned a sound that embraces widescreen emotionalism with rootsy Americana, pyschedelia and alt-country. ‘Z‘ sees My Morning Jacket broaden their influences while retaining the unifying use of reverb that makes all the songs sound unmistakably them now matter how far they stray from the [...]

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‘4AM At Toumani’s’
8/10
Damon Albarn’s Mali Music project is an overlooked album of beautiful mood and texture that barely belongs to the hideous ‘category’ of world music. This is very much a subjectivised, western account of African moods and musicianship, taken largely from muddled field recordings and mixed down in London. Mostly the range of instrumentation [...]

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