Demob Happy

“What will it take to make you listen?”
8.5/10
Some of my favourite albums of the last couple of years have come from a strand of impressionistic folk that roughly began with the release of Grizzly Bear’s ghostly ‘Yellow House‘ in 2006 and Iron & Wine’s kaleidoscopic ‘Shepherd’s Dog‘ a year later, gathering pace in 2008 with [...]

[Read more →]

FIRST PUBLISHED AT THE LINE OF BEST FIT
Exile on ‘25th Street’
8.5/10
‘NYC‘ is Kieran Hebden’s (aka Four Tet) fourth collaboration with veteran jazz drummer Steve Reid and while I won’t pretend that I have heard the other three, the word in the blogosphere is that this is the most equal of their partnerships, with Hebden given [...]

[Read more →]

Gang Gang goes bang

8.5/10
FIRST PUBLISHED AT THE LINE OF BEST FIT
Long-time darlings of New York’s ultra-hip, art-conscious underground music scene, Gang Gang Dance look braced to make a wider breakthrough with their new album ‘Saint Dymphna‘, released in the UK on Warp. Like their contemporaries Out Hud, Gang Gang Dance makes a hybrid of post-rock [...]

[Read more →]

An exact science

8.5/10
In ‘Dear Science’ TV On The Radio have finally delivered on the early promise of their EP ‘Young Liars’ with the dazzling art-rock album they’ve long threatened but somehow neglected to deliver. Although ‘Desperate Youth, Blood Thirsty Babes‘ and ‘Return To Cookie Mountain‘ had some great individual songs, overall I found them frustratingly [...]

[Read more →]

Enter planet dust
8.5/10
‘Carried to Dust‘ is Calexico’s most mature work to date, arguably the best synthesis of their frontier atmospherics and Latin-inflected country songwriting. The follow-up to 2005’s much-dismissed ‘Garden Ruin’, ‘Carried to Dust’ makes the ‘South-Western noir’ tag stick better than any other Calexico album. It’s a record of great dusky beauty, varied and [...]

[Read more →]

My new My Morning Jacket?

7/10
I have been sitting on this review for a couple of months now, at a loss on what to say or how to start. Honestly I think that might be because I don’t like this album as much as I wanted to, that it hasn’t stirred the same inspiration in me [...]

[Read more →]

Jackson Toth waves his Wooden Wand goodbye?
8/10
FIRST PUBLISHED AT THE LINE OF BEST FIT:
Previously leader of the New York-based experimental jazz-folk collective Wooden Wand & the Vanishing Voice, James Jackson Toth’s solo debut is a lush take on alt-country informed by blues, soul and, occasionally, punk. Whereas Wooden Hand … was very much an avant-garde [...]

[Read more →]

The Empire strikes black
8.5/10
Micah P Hinson’s fourth album - the first I’ve heard since his powerful debut ‘Micah P Hinson and the Gospel of Progress‘ - is an accomplished work and the sound of a prolific artist heading for an artistic peak. Produced by alt-rock mixing guru John Congleton, renowned for the dark gloss put [...]

[Read more →]

Alive and kicking
7/10
The Dodos are an exciting new band that blend freak folk with latin influences and blues. Their debut ‘Visiter‘ sees the duo create often cacophanous and frenetic songs mostly from acoustic (sometimes slide) guitars, banjo, pounding percussion and occasional horns. It is a raw template that recalls, by turns, The White Stripes, [...]

[Read more →]

Third time unlucky?
7/10
Almost every review of Portishead’s ‘Third‘ opens with a summary account of trip hop, with mentions of coffee tables and dinner parties. Musical snobbery conspires to dictate who listens to music and how it is listened to. The fact that ‘Dummy‘ became universally successful or featured in the soundtrack for This Life, [...]

[Read more →]