Demob Happy

Enter planet dust 8.5/10 ‘Carried to Dust‘ is Calexico’s most mature work to date, arguably the best synthesis of their frontier atmospherics and Latin-inflected country songwriting. The follow-up to 2005′s much-dismissed ‘Garden Ruin’, ‘Carried to Dust’ makes the ‘South-Western noir’ tag stick better than any other Calexico album. It’s a record of great dusky beauty, [...]

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Thrill Jockey release low on thrills 5/10 FIRST PUBLISHED AT THE LINE OF BEST FIT Angela Desveaux’s second solo album is agreeable but very much old time country in the mould of Dolly Parton and Loretta Lynn, mildly infused with Californian rock. Despite her Montreal and Nova Scotia background, Desveaux’s musical origins are very much [...]

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My new My Morning Jacket? 7/10 I have been sitting on this review for a couple of months now, at a loss on what to say or how to start. Honestly I think that might be because I don’t like this album as much as I wanted to, that it hasn’t stirred the same inspiration [...]

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Jackson Toth waves his Wooden Wand goodbye? 8/10 FIRST PUBLISHED AT THE LINE OF BEST FIT: Previously leader of the New York-based experimental jazz-folk collective Wooden Wand & the Vanishing Voice, James Jackson Toth’s solo debut is a lush take on alt-country informed by blues, soul and, occasionally, punk. Whereas Wooden Hand … was very [...]

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The Empire strikes black 8.5/10 Micah P Hinson’s fourth album – the first I’ve heard since his powerful debut ‘Micah P Hinson and the Gospel of Progress‘ – is an accomplished work and the sound of a prolific artist heading for an artistic peak. Produced by alt-rock mixing guru John Congleton, renowned for the dark [...]

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Dawn choruses 8.5/10 The first thing you notice when listening to ‘At Dawn‘ if, like me, you’ve approached their back catalogue, er, backwards, is how faithful it is to a kind of alt-country orthodoxy when compared to the more magpie-like tendencies of ‘It Still Moves‘ and ‘Z‘. Arguably it is more a consistency of mood [...]

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Too long but It Still Moves me 8.5/10 The Louisville, Kentucky band’s third full-length is a whopping 75-minute set recorded in a grain silo and positively swimming in reverb. By eschewing modern recording techniques altogether they were taking a big risk on ‘It Still Moves‘, their first for a major label, but is with the [...]

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Ghost in the machine 8/10 All the acrimony surrounding the release of Yankee Hotel Foxtrot, in which Wilco left Warner/Reprise to resist attempts to make the record more commericially viable, seems bizarre now. For despite its moments of sonic chaos, YHF is a great, Beatles-esque, countryfied pop masterpiece with great hooks and immediately indentifiable melodies. [...]

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Alive and kicking 7/10 The Dodos are an exciting new band that blend freak folk with latin influences and blues. Their debut ‘Visiter‘ sees the duo create often cacophanous and frenetic songs mostly from acoustic (sometimes slide) guitars, banjo, pounding percussion and occasional horns. It is a raw template that recalls, by turns, The White [...]

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Kentucky fried pysch-country 8.5/10 Over four albums My Morning Jacket have fashioned a sound that embraces widescreen emotionalism with rootsy Americana, pyschedelia and alt-country. ‘Z‘ sees My Morning Jacket broaden their influences while retaining the unifying use of reverb that makes all the songs sound unmistakably them now matter how far they stray from the [...]

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